Peter Wu's passion is to teach physics and do research

Peter Wu has found his calling: to teach physics and do research at SOU

Peter Ka-Chai Wu has worked in factories and mailrooms, and has held positions ranging from security guard to researcher. But the opportunity to teach physics is what brought him to SOU as a young academic and it’s what has kept him on the STEM faculty for 25 years.

“(Teaching) is rewarding and challenging,” Wu said. “Seeing your students enter the next phase of their life and hoping that what you helped them learn may aid them in their new adventures.”

Wu teaches courses in physics, mathematics and electronics while studying biomaterials. He has served as a program coordinator for physics at SOU and is a professor on the Chemistry Department faculty.

He received his bachelor’s degree in physics and mathematics at Macalester College, and both his master’s degree and doctorate in materials science at the University of Wisconsin-Madison.

As a researcher, Wu studied biomaterials, thin film, polymer/metal adhesion, ferroelectric materials and fullerenes.

He saw Ashland and SOU as a stable environment to raise his child, and continues to find fulfillment and inspiration.

As a teacher, Wu fosters a creative and understanding space for students to apply what they learn – where he asks students to listen, review material, ask questions and work hard. He teaches algebra and calculus-based physics classes, and general physics. And he particularly enjoys branches of physics that deal with the electromagnetic spectrum.

“If you want to achieve a basic understanding of how nature works, physics is it,” he said. “Physics opens my horizon, deepens my understanding and makes me humble.

“I like electricity and magnetism including electronics – those are my favorite subjects. As a teacher, if you are excited about the subject, it helps.”

Wu has continued his research while at SOU – filing patents, publishing scientific papers and book chapters, and speaking at numerous conferences. One of his recent papers is “Electrospun gelatin biopapers as substrate for in vitro bilayer models of blood-brain barrier tissue,” which Wu co-wrote with seven other authors.

The paper found that through a fiber production method called electrospinning a more effective material could be created on which to test the blood-brain barrier – a function of blood vessels that prevents large molecules, including many medicines used to treat brain disorders, from entering the brain. Wu’s electrospun “biopapers” were found to have improved electrical resistance, decreased permeability, and permitted less separation between cells.

Wu is currently doing research on acoustics as he continues to teach physics and other STEM courses.

Story by Blair Selph, SOU Marketing and Communications student writer

SOU Leadership Begins Here Header Logo

Image: Southern Oregon University Leadership Begins Here

Sean O'Skea

SOU’s Sean O’Skea: from historic preservation to theatrical scene design

After moving back-and-forth – between the East and West coasts, and between theater stage design and historic preservation – Sean O’Skea has settled into his role at SOU as a professor of scenic design, which he’s held for the past 13 years.

O’Skea became interested in scene design after taking drama classes in high school and realizing he was more interested in creating evocative environments than in performing. To that end, he worked toward a bachelor’s degree in theatre at the University of Portland. But he started to have a change of heart while working on his graduate degree at the University of Wisconsin-Madison, deciding to work instead toward a master’s degree in historic preservation.

“My degree in historic preservation was a bit of a rebellion against working in theatre,” O’Skea said. “I had worked my first year in grad school at University of Wisconsin-Madison and was really having second thoughts. I’ve always been interested in history and architecture, and so jumped into the program at Ball State.”

He worked in Indiana for about a year as a historic preservationist, but found after moving back to the West Coast that historic preservation work is rarer than it was on the East Coast.

“While I was trying to find more work in historic preservation, I kept getting offered design jobs and adjunct teaching in theatre, and after a while I just sort of found myself back in theater full-time again – so I went to University Portland to finish my MFA,” O’Skea said.

“I was accepted for a tenure-track job at Alfred University in New York,” he said. “So we moved back across the country. I was at Alfred for three years when my wife was offered a fantastic job in PR for Microsoft. Our life has been alternating between my school and jobs taking us east, where we were never really happy, and my wife’s jobs bringing us back to Oregon.”

In Oregon, O’Skea spent a couple years raising his daughter as a stay-at-home dad, before applying for teaching jobs at nearby universities – including SOU, where he was eventually hired.

“My wife has always dreamed of living in Ashland, and Southern Oregon felt very familiar to my Sonoma County (California) childhood home,” O’Skea said. “(SOU is) big enough to have a real college experience but not so big that you get lost. Ashland has the best of both worlds – great culture, progressive community, much that you’d find in a big city, but we are minutes away from some of the most beautiful landscapes in the nation.

“I was impressed with the department and hit it off with the faculty, I met some students that were really excited and committed to their studies and we decided to just go for it.”

O’Skea teaches courses in the SOU Theatre Program including elements of design, which introduces the digital and hands-on processes of design; scenic design, which explores the principles of scene design in enhancing theatrical performances; computer aided design, which focuses on digital modeling and rendering techniques in the creation of physical artistic spaces; and drafting, which examines the techniques of drawing stage scenery and properties.

O’Skea uses a direct teaching style, assigning projects in his classes that get his students to develop the technical skills required in set creation. He advises students to be determined if they want to find academic success.

“Self-motivation is essential; your professors can only be your guides, you have to take the lead on your learning,” he said.

O’Skea enjoys gardening and traveling, when not working. While much of his travel to the East Coast is for work, he also vacations with his family during winter breaks – recently going to England and Italy. His travels help inspire his work as a scene designer.

“Everything influences my designs and as most of our travel is to historically juicy places I spend a lot of time filling sketchbooks, and taking reference photos,” he said. “It drives my wife and daughter crazy as we will be walking somewhere and suddenly I’m not there and they find me half a block back taking a photo of an interesting door knocker or a picturesque cracked wall, or something.”

O’Skea has published “Painting for Performance: A Beginner’s Guide to Great Painted Scenery (Routledge-2016),” an educational book that focuses on giving beginners the terms and techniques to paint stage scenery.

Story by Blair Selph, SOU Marketing and Communications student writer